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Wear your Soul & He(art)

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“If you have life, you have purpose.” – Caroline Myss

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The XH-1 is a great deal, better in fact than the XT-3. Explore the world of FUJIFILM X Series and GFX. And so I had to point out some things that really stand out, like the Shutter quietness, not to mention the simplicity of Fuji user interface, though some would disagree with me :-). While on FF I'd rather have F4 with more zoom range or a couple of primes, even for occasional event photography. So X-H1 may be better for some... out of the pure specs, Specs-wise, the Sony looks great, but I read that the IBIS isn't that impressive. The X-H1 is the first Fujifilm camera to offer DCI 4K (4096 x 2160) video recording, and it includes internal F-log recording, making it the most pro-oriented video camera of … I see lots of people using 16-50F2.8 type of zooms on crop and I feel sorry for them when they take a silly advice to spend $5000 and upgrade to 24-70F2.8 and 70-200F2.8 while keeping their crop cameras. Or you can match the DR and get faster shutter speed on Fuji. I like Fuji OOC colors but the price is beyond absurd. @larkhonI can't make you see the difference. Looks like there is some opportunity there to manage those stresses. That is because Fuji meters differently than Sony. Now, three months later, the company has confirmed in a statement that the personal information of past and current employees was taken from its servers. But unless one sensor maker drops significantly behind, the differences are usually smaller than the differences between sensor sizes ie: 1" - (1EV) - 4/3" - (2/3EV) - APS-C - (1 1/3EV) - FF - (2/3EV) - 44x33 . Fuji's own RAW converter to this day shows exactly that. I mean why can't all the manufacturers make fast FF primes and slap a Focal Reducer at the end of the optical formula? Maybe APS-H could be good enough for me. "... Fuji 50mm f2 ..." ($450) - Why would you need a "cheap" FF 75F3.1 anyways? I can't. It is a good thing. Something that might not be welcomed by many. Like some people hate Apple, some people hate Sony...or find a way to pick them apart. Review of the Fujifilm X-H1 mirrorless camera. A lot. It was a camera that nobody asked for, but everyone could see and appreciate what Fujifilm was trying to do. Ebrahim, do you think the price of the camera is only based on sensor size? If it doesn't have competitive dynamic range, don't even mention it. Why don't you put two cameras (Fuji vs something) side by side and try getting the same exposure values with the same settings. It's not illogical, if you understand what the scores and ratings mean:, you got me curious,so i read dprs on the scoring logic[.thanks for posting that bill.] It's objectively close. The only caveat for me on a camera which is video focused are the hard jumps between aperture, shutters speed and ISO levels when shooting video. There was a problem. Sonys were ergonomically poor and the lenses so heavy I may as well stay with Nikon. It's like there are no individual pixels in MFT pictures at all. For me, photography is about the pictures, above everything else. Besides, Richard established above that the light per sq mm received is the same, so there shouldn't be any loss. Absolutely true. Compared to X-H1, my Pentax K-1 is boxy. When you pick up an X-H1 for the first time you’ll definitely notice a significant size gain from the X-T2 and other X-series cameras. You can't win this. Will someone from this site, explain to me how that can even be explained? However, that only says that each sq mm of both sensors will receive the same amount of light. You have to buy them separately :). Well, you can believe it if you want, and please try any recent APS-C body with a decent lens. Like the Pro 2, the X-H1 is too specialized for everyone. While in Max's video the Fuji's footage is clearly darker while using the same setting as the Sony's, that's cheating. The Headphone jack is there too. Xh1 is designed for pro. "it is not worse all the time" - Actually, it is. Smaller sensor - wrong. Visit our corporate site. For now, as a 6'5" dude with big hands, I deeply appreciate having this option in size. Where did you get such a notion. Comparing the two reviews, it's pretty clear DPR was very impressed with the performance improvements delivered with the X-T2. All reports say the Fuji's IBIS mechanism is larger than their regular one so currently it isn't possible for it to be in the existing bodies without increasing their sizes; possible in the Pro3 because it is their largest non-IBIS body. Like that F1.4/F1.2 look, real clean base ISO and clarity. You cannot magnify the projection by using smaller sensor without sacrificing quality. Speaking as a former Fuji owner (X-Pro1, 23mm 1.4, 35mm 1.4. It's a beast really. The RX10'IV is kind of unique, but I can't really say that its price is too high. I have it in all my cameras. Watch as they photograph lemurs, red pandas and maybe even a Tyrannosaur while putting this camera to the test. It's a niche (and pricey) product to be sure, but so far we find it to be well-designed and capable of outstanding results. Second, to any regular user their products look easier to use, it's an overall better experience. We can change the requirements forever, and obviously on each sides of the discussion, to match the point we're trying to make... Anyways it seems we're just different users with different needs. While with FF I could push it almost two stops farther. Granted, the X-H1 is a very capable pro grade camera, especially for video shooters, and it should be judged on its own merit. At least for my taste.And Sony crop factor is 1.532x, so it is rather F2.61 (F2.5 is the the closest 1/3 stop). And yes, I do have a 32" UHD monitor.And how is half the light on a smaller sensor making that much difference? But the full-frame sensors got so much better. Ecka84, can you actually discuss like decent normal human beings?I was talking in general, not specific to Fuji system. Also, Fuji has a significant dominance in jpeg quality. The X-H1 will be its own flagship, and I respect that. The beefy grip was a blessing and the top plate LCD was not only cool but also very useful. Some will consider a camera that is the best it could be within a set of specifications shared by its peers (I'd nominate RX10 M3/4, Ricoh GR, maybe A7 III...).And we've been over it a thousand times: larger sensors produce better quality images among the same generation, quality of lens, price range, zoom vs prime, etc... an average lens on FF (and/or old camera) won't 'destroy' a decent combination on APS-C. And if you've printed 1m wide on APS-C (on a recent camera) and it wasn't good enough, ok. So, yeah it's not going to sell very well. Same F-numbers don't make them equal. Trolling.Leica especially brings out the economic experts. With a serious price tag, the Fujifilm X-H1 may be expensive, but if you're looking to take great photos it is a compact system camera that's worth every penny. What? A 50mm F1.8 will project the same number of photons per sq mm, regardless of what sensor you put it in front of (after all, it has no knowledge of such things). Crops do not have ISOs equivalent to FF ISO 100 or ISO 64.Your theories really are fairy tales. ", FF sensors gather more total light than S35, just not per square area. But can you imagine how much would it cost? Unfortunately, the 3.2s sample is an obvious fail and the 2.5s is iffy, while the 1s shot is only OK (with a tiny shift visible at 100%, like you said). "Not so good for": "Anyone looking for the perfect tool for one specific job". The X-H1 is likely a no-brainer for Fuji X photographers needing to provide video services on top of their stills expertise. A few of the X-Series lenses can get a tad on the large size (the 16-55 2.8) and it feels right at home on this body for me. But with the X lenses I have now, and considering the differences between FF and Crop didn't mean much to me, the X-H1's IBIS and improved handling makes me one happy Fuji user. Math doesn't change, only some relative and made up numbers change, while the amount of light stays the same. I know that Canon color science has changed but white balance is only an issue in JPEG and video. The only A7 bodies worth buying is the A7SII, A7RII and the 3rd gens. I prefer some of the more modest lenses like the Pana 15mm f1.7 or the 45-175mm f4-5.6. The 70-200F2.8 kind of gets it at the long end. That said, I also shoot on the streets and the size of the X-H1 is too intrusive for stealthy situations--you might as well go full-frame DSLR. - Not sure what you are trying to say here, but it's exactly the opposite. (agreed a different type of) And not wishing at all to make the change! Hypocrites! Not better, but different and much more expensive, just because there's always plenty of simpleminded folks who buy stuff they don't need. FF wins either because of larger pixels or because there's more of them. New York, So perhaps 12 was just close enough, with an acceptable amount of cropping.B. More facts! @noflashpleaseGM lenses support at least 50mp+. !The picture of that guy, it is trying to tell us just that. Re-reading the review, it appears DP Review treated the X-H1 as either a camera in a different category than the X-T2 or inserted at the top end of the same category. xTrans artifacts - wrong. You will need to go take following pictures:1) A close portrait, native ISO, flash lighting, DOF from nose tip to the ears2) A 20mm FOV f/16 landscape, native ISO3) A f/2.8 shot of a running kid, as fast shutter speed as possible. In this week's episode of DPReview TV, Chris and Jordan go to the zoo with the Fujifilm X-H1. And yes, equivalence only tells you about potential for image quality. Can you tell the difference between the GFX and FF? You have to "discover" it by yourself. Fuji user here wondering if I should switch to Sony. And cropping on the A73 won’t make up the difference when the A73 and XH-1 are both 24mp, right? People always want stuff "cheaper". "I'm not really concerned my shots could have been so much better with a FF camera" - It's about how much you are paying for it. And (for example) the FF 24-105F4 is equivalent to APS-C 16-70F2.5, which can't be smaller or lighter or cheaper. For instance take the Fuji 10-24 f4, should it really be f2.8 to match the FE 16-35 f4 ??? Have a look at our initial sample gallery taken on a full-frame Sony body. Lens on RX10 m3 is the same as on m4, the latter having a better AF. I'll still keep it even if I decide to buy XH1. You are right, if it's good enough, it's good enough and that's what matters the most. I'd rather have "superb" for $2000 or a bit more, but that's just me. But the FE 28mm was more convenient. That evaluation tends to be subjective. Others may simply like the fact that it's built like a tank but for me... to big and heavy! are they shooting at home, when travelling, etc... ?Taking your example, the 40mm is one of a kind, but still on a FF body the total will be what, 900g at best with a 6D vs 500g on a X-E3. Cams the size of the A6500 just cramp my hand up. While they were out shooting their video about Sigma's new lenses, Chris and Jordan filled up a memory card with photos from the 35mm F2 DG DN using Panasonic bodies. At ISO 400+ it's just like any regular crop camera with a super sharp lens, where detail start being destroyed by noise anyways.I doubt that Panasonic is just as good. The most notable are: 5-axis in-body stabilization system, which worked wonderfully with the tested FUJIFILM … i often cringe at how poorly the photos are and how inappropriate they seem to express the qualities we look for when judging a cameras iq ... no rhyme or reason no good for judging iso shadow behavior color and other metrics. PS: another thing in common with die hard Apple users is that if you don't see why it's so great it's probably that you don't get it... does it remind you anyone? I have a D750 so I was wonder, because is one of the most use cameras for weddings were the most IQ is needed. The electronic shutter makes it perfectly possible. Facts! I've tested a while ago the Sony FE 16-35mm against Fuji 10-24mm and for nature landscape, Sony was a winner. I use Capture One. There is no size, weight and price advantage in crop systems. Yet they do, and if you take a picture with the same parameters, let's say 24mm f2.8 1/60s ISO 100, on two different cameras the scene will have as much light (give or take light transmission on the lens, actual ISO, etc...). F-number is F-number. "I don't see that much of a difference between pictures taken by my A7 II and my X-T20 for the use I have" - See, that's the problem. Its thicker sure, but that was to be expected by adding IBIS, and it has a bigger grip sure, but it's not significantly larger than the X-Pro which was Fuji's largest body. So, that's why ...Stop comparing FF DSLR with APS-C mirrorless. 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Any advise appreciated. The app includes automatic image transfer, gallery creation, editing tools and more. what's is that to be curious. I agree it doesn't make sense if you own both but the Sony 70-300mm is not in the $500-$1000 range. BS? Bordering on being too small in fact. If one wants the retro-look and -handling, of course, Fuji cameras fit the bill and its great that the so-inclined get this option. I used to hear Sony makes the best and most expensive TVs, then there was the VAIO, more expensive than anything else. Whenever a new iPhone is released, it's more expensive than the previous one and they keep selling older models at high prices. Lens rentals, repair centers, availability of products, etc. Thermidor while I am a fan of Canon Panny and Sony cameras, I am not a fan of heat disspation due the diminutive size factor of panasonic and Sony MILC when used in video, the increased size may be to avoid overheat issues which plague small form MILC. The only difference would be the noise at higher ISO. For those unfamiliar with the difference between the old-school Fuji dials and modern, so-called "soft dials" a discussion of the trade-offs would be useful. DPR may not consider the X-H1 to be best-of-the-best but the Silver Award is only given to very good-to-excellent gear. Still the same game.. An obtuse argument if there ever was one. And the A7III is not just better in sensor size, even if it was APS-C it would be a hell of a strong competitor to the XH1, but no, it has the best 24mp 35mm sensor ever made. Or you can turn it around and consider that what do you need to carry to shoot portraits with at least DOF of 25cm? With this release, they are getting out of their niche by offering a large and bulky camera that offers zero innovation and its tech is actually quite dated now. exactly, why should I care as long as the end result is the same, the picture is not underexposed? He should get a Ricoh GR then. It was the same idiotic notion with computer tech in the 90's. In practice, the difference is negligble for 99% of photographers, as this will easily outperform all of the FF cameras from 2010. Fuji's now really needs a X-H2 with equal or greater feature set than the X-T3. Also, the intent of the X-H1 isn't to be a general, carry-around, and travel camera. I've been thinking about all the recent rumors and news. I've got both the X-T3 and X-H1 ( which is an absolute steal these days!) And my point is that you don't have to buy the largest, the heaviest and the most expensive optics compatible with your camera.

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