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Wear your Soul & He(art)

Stop wasting time, cause you have a limited amount of time! – Sarah Anouar

“Soyez-vous mêmes tous les autres sont déjà pris.” – Oscar Wilde

“When your personality comes to serve the energy of your soul, that is authentic empowerment” – Gary Zukav

“Le besoin de créer est dans l’âme comme le besoin de manger dans le corps.” – Christian Bobin

Find your lane & own it. If you can’t find it, create it. – Sarah Anouar

“Be full of yourself” – Oprah Winfrey

“If you have life, you have purpose.” – Caroline Myss

“Ignore conventional wisdom” – Tony Robbins

“There is no magic moment coming in the future it will be ok for you to start… START NOW!” – Mastin Kipp

God! Highlights and Shadows The EOS C500 Mark II arrives with a full-frame sensor designed and built by Canon, which appears to be the same one found inside the EOS C700 FF, and this is capable of recording 5.9K video. Comparison Canon EOS C500 Mark II vs Sony PXW-FX9. From Sony: Thanks. The buttons can also be illuminated in the dark. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. In today’s market I think it’s wise to just listen to the wallet. The FX9 can control all four channels quickly and independently. 1 - 2. Hard times😃. Yes, the Canon is alot more exciting, but for me, Sony still is a better option. You need the newer and more expensive Neon range. Putting together a camera package in a modular system. The C500 Mark II has a lower resolution 4.3″ (1.23 million dot) touchscreen LCD. Canon vs Sony Autofocus Showdown (FX9 vs C500 Mark II) Testing and comparing the autofocus systems on the Sony FX9 and the Canon C500 Mark II for usability, reliability, and their limitations. If your work is broadcast oriented, with multiple accessories, and you find yourself part of a multi-camera shoot most often, and genlock is important, the choice is a no brainer. To know how ND numbers relate to stops, read the complete guide to in-camera filters. This in-depth, hands-on workshop teaches participants the skills needed to operate the Canon C300 Mark II / C500 cameras. The C500 Mark II is capable of 5.9K output in full-frame. To be honest I don’t know how practical this is. It’s not as seamless or elegant as riding the iris, for example. This is more rugged than the standard E mount on Sony alpha mirrorless cameras. Comparison Canon EOS C500 Mark II vs Sony PXW-FX9. Interframe bit rates are too low. I have collected the. I wish they'd priced the C500 II a bit cheaper. I’m not sure who would take the time out to work with Catalyst Prepare just to stabilize shots. And what you get are: Both of these features are good to have, but don’t really contribute to food on the table. (unless you choose to!) Throughout the 11-minute video, Cinema5D takes a look at the overall unit, as well as the extension units, which make the camera … FCPX Essentials, Part 2: How to Edit Your Footage, FCPX Essentials: How to Import and Organize Your Footage, How to Give Your Footage a Cinematic Look in FCPX. However, both manufacturers have introduced new full-frame cameras, making this competition even more intense. Let’s take a look at some of the most promising and exciting features of each system. Everyone says DPAF is so great but I would love to see real world comparision. With the introduction of the ARRI ALEXA LF Mini, the Sony Venice, the Sony FX9, and the Canon C500 II, the playing field is starting to level and that awe-inspiring, professional LF look is starting to get within reach. As far as audio specs are concerned, here are the features: *XLR inputs are phantom powered, both mic and line level. The new Canon C500 Mark II and Sony FX9 are bound to find their way onto sets and productions everywhere. These cookies do not store any personal information. It all depends on your shooting style and needs. Of course, the same functionality can be added to the C500 Mark II as well, but at an added expense with the Canon EU-V2 Expansion Unit: This gives you two audio controls on the operator’s side as well as two additional channels to record audio. ^You can move in increments between 2 to 7 or dial in any ND range from 1/4 (2 stops) to 1/128 (7 stops). The new Canon C500 Mark II and Sony FX9 are bound to find their way onto sets and productions everywhere. One advantage of Sony FX9 is the variable electronic ND as opposed to classic internal variable ND with fixed stops in the C500 II. Canon is the class leader here, and with Canon’s range of cinema lenses there’s nothing left to say. This could give the FX9 a major competitive edge over the C500 MKII. Its feature set is all around better than what’s offered internally in the FX9 (again, aside from the AF; Sony’s AF in the FX9 is stellar), and this is the umpteenth time I’ve seen someone compare the image of Canon Cinema Raw Light (from the C500 II or the C200) to the gold standard, Arri Alexa. At the time of this writing Canon hasn’t published the nits rating. The ability to record multiple channels and control them individually is important, especially for run-and-gun interview situations. Sony believes will mostly be using the camera handheld. Original batteries only, from B&H. It is pretty clear that the design goals of the Canon C500 Mark II lean more towards a two-person operation while the Sony FX9 leans firmly towards a one-person operation. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. CFexpress is a newer version of XQD, and the form factors are interchangeable. Firmware Updates & Frame Rates (Best with Adobe Acrobat Reader, 2-page view, show cover page.) Even if you damage one, the others will still work. This 120 fps competitive advantage over the C500 MII may just give the FX9 that much more of an advantage over the C500 MII, to sway productions. Many thanks Sareesh for doing this comparison. With modern cameras and their great ISO range you can really manage with discrete levels of ND. Let us know in the comments below! As we have seen before, both cameras meet these specifications, but with the C500 Mark II having the upper hand because it outputs 6K, so even ‘chopped off’ anamorphic will deliver true 4K. As soon as you wanted to achieve more than 60fps, most of the cameras cropped massively into the sensor. The proxies are 8-bit 4:2:0. You could wire up a couple of interviewees, the interviewer and a backup and you’ll already be down four ports. What you get: Both cameras have built-in ND filters, but they operate very differently. Original batteries only, from B&H. Best Cine Prime Lenses for the Canon C500 Mark II, V-mount plate with P-tap output (only V2), Lens control for certain supported lenses (only V2), 2.4 GHz and 5 GHz (the latter only in supported countries), Control the camera through the Sony app for tablets/smartphones. That’s a difference of $200 or so. (Best with Adobe Acrobat Reader, 2-page view, show cover page.) Throughout the 11-minute video, Cinema5D takes a look at the overall unit, as well as the extension units, which make the camera even more modular … Both can be used by a single shooter, but the FX9 is more friendly for all kinds of video work when you are a one-person operation. We also use third-party cookies that help us analyze and understand how you use this website. The FX9 has a smaller 3.5″ (2.76 million dot) LCD with a loupe positioned for shoulder mounted filming. They compare several aspects of both cameras – for instance, the lens mounts, color science, autofocus, and image stabilization. The handle is also much more solid than on the Mark I, as Canon clearly realise that it will be used with film lenses which are …

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